Senior audio engineer and production manager for experiential agencies and production companies delivering high-stakes corporate events worldwide. Keynotes, general sessions, launches and live experiences — mixed and managed at a touring-artist standard.
I plug into your production team, work to your show direction and protect the experience your client paid for — from the first advance to the last walkout.
At the console as A1 or supporting the show as A2 (RF, mic'ing, presenter handling and stage audio) for general sessions, keynotes and executive presentations.
PA system design, prediction and drawings in L-Acoustics Soundvision and d&b ArrayCalc, with coverage planned and documented before load-in.
Wireless planning and frequency coordination in SoundBase, RF spectrum analysis and on-site RF execution for mics, IEMs and comms, plus Dante networking and system optimization.
Works hand-in-hand with show callers, producers, video, lighting and staging teams, with audio feeds ready for records and streams.
Production manager on multiple tours across Canada and on corporate events: advancing, vendors, schedules and on-site leadership, so your producers can focus on the client.
Need a whole department? I hire, build and lead the full audio team (A1, A2, RF and techs) with people I trust, delivered as one accountable package.
Offsite advancing, system and RF planning, documentation and remote support for your on-site team, then carrying the plan through to a clean execution.
A certified coach who builds crews that communicate, trust each other and stay calm under pressure, with coaching for technical teams and support for presenters.
I can travel with my own full playback audio system and a complete audio tool kit built specifically for corporate event execution. You get dependable, familiar gear that's ready to show, less rental overhead and one person accountable for playback from load-in to walkout.
In their own words, from the clients and colleagues I’ve worked alongside on tours, broadcasts and corporate shows.
“To say working with Paul is a pleasure would be a drastic understatement. Outside of his deep understanding and knowledge base of production, both management and technical, Paul is also hands down a fan favourite to work with before, during and after the event. His calm and collected approach adds clarity to any situation and instils confidence for all involved. The only reason I would not recommend Paul is because I want him all to myself!”
“Paul is a true gem. An expert audio engineer and fantastic PM and TD. He is the bringer of expertise, calm and humour, all needed in our industry. Having Paul on site means I don’t worry about his department and lane ever.”
“Paul is a true professional. Highly skilled technically, he’s also very client-focused and consistently delivers great shows. He’s a people person and a capable manager.”
“Paul is always a pleasure to work with when I’ve been on his audio team. Professional, extremely knowledgeable and very respectful of others’ well-being. And a great A1!”
“Even when things aren’t going ‘perfectly’, he has a smile and kind words. Our drivers all love working with him because he is always the calm in the storm. Paul is not only a great TM, but he is an absolutely incredible human.”
“Paul isn’t your stereotypical audio guy. He brings his calm and professional presence to every event, which makes a huge difference. He’s incredibly knowledgeable, reliable, and always focused on finding the right solution rather than adding to the stress. His mixes and cues are consistently clean, balanced and sonically excellent. It’s his attention to detail that makes everything sound polished and effortless. He’s a great engineer, a great teammate, friend and someone I’m always happy to have on an event.”
“Paul makes the execution of top-tier events at unique venues a smooth, seamless and fun experience. From the Titanic Museum in Belfast to cobblestone courtyards in Lisbon, Paul oversees technical production with a client-first approach, dedicated to ensuring executive leaders and attendees have a remarkable experience.”
“Having Paul onsite immediately gives me a sense of calm and relief. I know he’s prepared, he’ll find solutions when challenges come up, and he’ll be a true partner to our team. Whether Paul is working with us as an A1 or as a Production Manager, he brings the same level of care, professionalism and attention to detail. Paul is calm, solution-oriented, prepared and, most importantly, an expert in his field. I would highly recommend working with him in either capacity and am always happy when I know he’s going to be part of our crew.”
“Paul is an absolute professional. He has a huge range of technical audio skills, from mixing music and corporate events, deploying PA systems, RF coordination, patch and intercoms. Additionally, he has the soft skills that make him the kind of person you want to have at every show. He is a team player, and can stay relaxed and cool in stressful situations.”
“All the years Paul and I have worked together on shows and tours, he was always so consistent in his work and communication, I never had to worry when Paul was on the gig.”
“Working with Paul has taken our live show to the next level. Not only do I have full confidence that our mix will be perfect, but I know he has all the details of the show ironed out ahead of time from a production management perspective. Makes my job too easy!”
“I love working with Paul. His technical knowledge and ability to solve problems quickly on large busy shows make him a huge asset on any team I’m working with. His positive attitude is really what sets him apart though – no matter how stressful things get he stays calm and keeps on smiling.”
“I’ve known Paul Caccamo for over 20 years. We have been in the trenches together in everything from rock shows, music festivals, corporate events, and broadcast television work. Paul is a level headed professional with great problem solving skills and a wealth of knowledge. Beyond all that, his positive personality and ability to be a caring friend makes him the perfect addition to any crew room or tour bus.”
“I have worked with Paul numerous times on high profile events with marquee talent and he is truly the best. His talent for audio engineering and his production chops are incredible. He stays calm under pressure and clients, crew and talent alike always love him. I would work with him again any time, anywhere!”
“Paul is a true professional and an absolute pleasure to work with. His technical expertise in audio, strong understanding of live event production, and clear communication make him an invaluable asset to any show. Paul brings a calm, confident approach, particularly in high-pressure show environments. He is reliable, solutions-oriented, and consistently delivers at a high standard. I have tremendous respect for Paul and would highly recommend him to anyone looking for an experienced and dependable audio professional.”
“Thoroughly loved working with Paul. I had full confidence in his ability to manage personnel and high pressure situations. He’s a top tier professional in audio, tour management and production. I’d recommend him to any business/artist looking to integrate someone with Paul’s skillset into their camp.”
“Paul is an exceptional member of any road team. His meticulous attention to detail and consistently high-quality mixes make him a must for any live event.”
“When Paul is on the other end of the snake, I have the utmost trust that he’ll deliver mixes that coax the best result from the musicians.”
“Paul is a talented professional. Along with his technical chops, his ability to adapt in the ever changing corporate event environment is reassuring. He’s a great person to be around and a pleasure to work with.”
“When Paul is on the team I have absolute trust that the production details will be taken care of well in advance. His mix is flawless and his work ethic is unmatched. Always has a positive, cheerful attitude. A steady leader and calm presence in every situation. 10/10”
“Paul is one of the best TMs in the industry from a bus driver’s perspective. He made my job as easy as it could be. Everything was always taken care of.”
“The go-to monitor engineer for one of Canada’s best-known musicians.”
Professional Sound magazine · Profile of Paul Caccamo by Andrew King · June 2017
Read the Full Profile“Wally is The Man.”
Touring musician, Jade Eagleson tour, 2026 →“13 years as Burton’s Monitor Engineer.”
The Burton Cummings FanPage →Front of House Engineer (as Paul “Wally” Caccamo) · Tyler Perry’s Meet the Browns (2004)
View on IMDb →Monitor Engineer · 2010 Winter Olympics Victory Ceremony · Burton Cummings · Vancouver
Monitor Engineer for Burton Cummings · 2014 JUNO Awards · Winnipeg
Audio Lead / A1 · Canada’s Walk of Fame · Casa Loma & Massey Hall, Toronto
A1 Audio Lead · Canada’s Best Managed Companies Awards Gala · Metro Toronto Convention Centre
Audio Crew · 2022 JUNO Awards · Budweiser Stage, Toronto · Live on CBC
PA Tech · 2021 CCMA Awards · Budweiser Gardens, London, Ontario · Global TV & Prime Video broadcast
FOH Engineer · 2023 CCMA Legends Show · Country Music Week · Hamilton
FOH Engineer / Production Manager · 2023 CCMA Awards · Jade Eagleson · Hamilton
Monitor System Tech · Blue Rodeo · National arena tours
Promoter Rep / Production Manager · Clint Black · Canadian tour dates, 2024
FOH Engineer · Carolyn Dawn Johnson · 2024
Head Audio Systems Engineer · Corey Hart, Never Surrender Tour · Solotech, Coda Audio system · 2019 · Facebook post →
Monitor Engineer / Fill-in Production Manager · Jann Arden · National touring, current
Monitor Engineer · Burton Cummings · 13 years
Tour Manager, Monitor Engineer & Production Manager · Dean Brody · 9 years · Tours, Budweiser Stage & Calgary Stampede grandstand
A1 Audio Lead / Production Management · Wynford · Corporate conferences, galas & incentive travel
Audio Team Lead / A1 · Q Productions · Corporate programs & business sessions
Shows and crews, as posted by the artists, musicians and manufacturers I work with.
“Paul ‘Wally’ Caccamo has worked with Burton for 13 years as his Monitor Engineer.”
The Burton Cummings FanPage · View on Facebook →Facebook · Amphitheatre showJ-Series system by PRG. “MON Engineer – Paul Caccamo.”
d&b audiotechnik Canada · View on Facebook →Facebook · Arena tour“Behold, the greatest crew in all crewdom!” Paul Caccamo, monitor system tech.
Glenn Milchem, Blue Rodeo · View on Facebook →Facebook · Broadcast awards show“Another fantastic Juno awards weekend. Brought to you by the ‘A’ team.”
Mark Scola · View on Facebook →Facebook · U.S. show“Tonight’s view from the office” with Burton Cummings in NYC.
Mark Scola · View on Facebook →Instagram · 80-input dual-band show“Two bands at once, two monitor consoles and two FOH consoles all getting 80 inputs each.”
@tomgunvordahl · View on Instagram →FOH Engineer for the Legends Show, the Country Music Week concert celebrating country music’s veteran artists.
CCMA Country Music Week, 2023FOH Engineer and Production Manager for Jade Eagleson the year he won Entertainer of the Year, at the televised national awards.
National TV broadcastMonitor system tech on arena tours, with the first band I ever toured with, starting more than 20 years ago.
National arena toursPromoter Rep and Production Manager for Clint Black’s Canadian tour dates, and FOH Engineer for Carolyn Dawn Johnson.
Canadian tour, 2024Head Audio Systems Engineer on a new Solotech-supplied Coda Audio PA, across a Canadian arena tour finishing at Rogers Arena, Vancouver.
Arena tour, 2019Tour wrap post, Rogers Arena · View on Facebook →Monitor Engineer for Burton Cummings at the Olympic victory ceremony celebrations.
Olympic GamesMonitor engineer for Burton Cummings at the JUNO Awards, part of what a crew mate called the “A team.”
National TV broadcastAudio Lead / A1 for Walk of Fame performances at Casa Loma and Massey Hall, Toronto.
Televised galaA1 Audio Lead for the national business awards gala at the Metro Toronto Convention Centre.
Corporate awards galaAudio crew for the 51st JUNO Awards at Budweiser Stage, broadcast live nationally on CBC, May 2022.
National TV broadcastPA Tech for the televised Canadian Country Music Association Awards at Budweiser Gardens, November 2021.
National TV broadcastTelevised national awards show with Jade Eagleson, The Reklaws, Tenille Townes and Train.
@connordrummer · View on Instagram →Instagram · 10-night grandstand runDean Brody on the Stampede grandstand, every night for all ten days.
@deanbrody · View on Instagram →Instagram · Arena tour finale“The Vancouver crowd from last night deserves to be seen and heard.” Tour finale.
@highvalleyofficial · View on Instagram →Instagram · Sold-out headline show“TORONTO, you ROCK. Thanks for selling the place out.”
@jadeeaglesonmusic · View on Instagram →Instagram · Civic multi-act concertJann Arden at the inaugural variety concert on the newly renovated PNE Stage.
@wizardofosland · View on Instagram →Facebook · Crew leadership“Thanks to our leader Paul Caccamo.”
Jason Barry · View on Facebook →“Pretty happy to have had this article written in Professional Sound Magazine.”
Jann Arden before Christmas, two corporate shows, then on the road with Jade Eagleson: “none of this happens alone.”
“Every single person, from the band to the crew, played a crucial role in making it all happen.”
Reflections on ten nights with Dean Brody and the soundART team.
Production manager on multiple tours across Canada and on corporate events. I bring the same standards to a boardroom keynote as to an arena tour: preparation, discretion and no surprises on show day.
Monitor Engineer, stepping in as fill-in Production Manager when needed.
A1 Audio Lead and Production Management on conferences, galas, awards and incentive travel programs.
Audio Team Lead and A1 on corporate programs, business sessions and events.
Industries supported through agency & production partners
End-client names are kept confidential.
Also trusted by
Many corporate programs are confidential, so client names are shared only where permitted. Full details and references are available on request.
I have worked across the client rosters of leading corporate event agencies and production companies, as production manager on some programs and audio lead on others, with both onsite and offsite support. Client names are kept confidential.
Multi-day conferences with general sessions of more than 10,000 attendees in one room, plus keynotes, panels and breakout deployment.
Corporate incentive programs at resorts and destinations, where audio and production must travel, adapt to unfamiliar venues and still deliver flawlessly.
Award shows and recognition evenings with hosts, presenters, walk-up music and live entertainment, run to a tight show flow.
Launch moments timed to video, lighting and staging, with polished playback and clear executive speech.
Annual general meetings and leadership sessions where intelligibility, discretion and zero-failure delivery matter most.
Live events with custom broadcast and streaming, remote presenters and clean program feeds alongside in-room audio.
Interactive workshops and designed environments where sound shapes the attendee experience.
Gala evenings with speeches, presentations and live bands, mixed with a touring engineer's ear so the entertainment sounds as good as the show.
Two decades of leading mixed crews of touring staff, union stagehands, venue teams and vendors mean I build trust fast, communicate clearly and stay composed when the run-of-show changes at the last minute. Executives, talent and presenters get a steady, discreet professional at the console.
Prepared.
Discreet.
Show-ready every time.
I build software with AI-assisted development to make show control faster and more reliable.
Automates professional show workflows across QLab, Companion and Stream Deck, for cleaner playback and cueing in corporate shows. See the app →
L-Acoustics Soundvision, d&b ArrayCalc, SoundBase RF coordination, all major console brands, Dante networking, QLab playback and Companion/Stream Deck control.
A certified coach's calm with nervous presenters and senior executives. That steadiness shows up in the room.
Send the dates, city, venue and the role you need (A1, A2, system or RF design, remote support, a full audio team, team coaching or production management), and whether you need my playback system and kit. I'll reply quickly with availability and rates.
Request Availability Worked with me? Leave a ReviewAV Audio Operator is the corporate-show workflow, taught in the order the job happens: the advance call, the build, verification, rehearsal, the show, recovery when something fails, and the handoff. It is not an audio fundamentals course. It is how the A1 seat is actually run.
Launch price US$147 (regular US$197). Nine modules, 72 short lessons, a workbook for every module, a capstone show and a certificate. 14-day money-back guarantee. On-site coaching for graduates.
My Mac app for live show audio. One cue list creates your cues in QLab on the main and backup Macs, lays out your Stream Deck through Bitfocus Companion, and keeps everything in sync as the show changes.
Free to download. Two-week free trial, then US$69.99 a year.